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| published = }} Anton Bruckner composed the ''Messe für den Gründonnerstag'' (Mass for Maundy Thursday), a ''Choral-Messe'' in F major (WAB 9) for mixed choir ''a cappella'', in 1844 while he was a schoolteacher's assistant in Kronstorf. Bruckner dedicated the work A.M.D.G.〔〔U. Harten, pp. 281-282〕 The work, the manuscript of which is stored in the archive of Wels, was first published in band I, pp. 258–274 of the Göllerich/Auer biography. The work, which was listed by Grasberger as ''Christus factus est'' WAB 9, is edited in Band XXI/5 of the ''ドイツ語:Gesamtausgabe''.〔(Gesamtausgabe - Kleine Kirchenmusikwerke )〕 == Music and text == The work is divided into six parts: # Gradual ''Christus factus est'', F major # Credo, F major # Offertory ''Dextera Domini'', F major # Sanctus, E-flat major # Benedictus, G major # Agnus Dei, D minor Total duration: about 10 minutes. This Missa brevis exhibits as the previous ''Kronstorfer Messe'' relationships to Palestrina's style.〔J. Garrat, p. 183〕 It contained originally no ''Kyrie'' or ''Gloria'', but included the Gradual ''Christus factus est'' and the Offertory ''Dextera Domini'' proper for the feast.〔R. Haas, pp. 41–42〕〔M. Auer, p. 59〕〔J. Williamson, p. 43〕〔 The text of ''Dextera Domini'' is derived from Psalm 117 in the Vulgata (). As also in the following Missa solemnis, Mass No. 1 and Mass No. 2 the first verse of the ''Credo'' is not composed and has to be intoned by the priest in Gregorian mode before the choir is going on. Only the first part of the ''Credo'' is composed, until "''descendit de caelis''".〔C. van Zwol, p. 700〕 The ''Sanctus'' is a slightly modified version of the ''Sanctus'' of the ''Kronstorfer Messe''.〔〔(Roelofs' critical discography of the ''Kronstorfer Messe'' )〕 The extra fugated ''Kyrie'' and ''Gloria'', which were composed in 1845, have been lost.〔〔〔U. Harten, p. 245〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Messe für den Gründonnerstag」の詳細全文を読む スポンサード リンク
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